I dunno, this couple’s got style
word
I WANT THAT BADMAN SHIRT SO BAD I CAN TASTE IT
For real, that BADMAN shirt tho.
I dunno, this couple’s got style
word
I WANT THAT BADMAN SHIRT SO BAD I CAN TASTE IT
For real, that BADMAN shirt tho.
LOVE. THESE. REDESIGNS. Kinda want the Catwoman hoodie.
STUNNING! These “practical” superheroine redesigns by Meredith McClaren are just to die for. I love how fashionable they are, how much they take into consideration the real world, there’s a practicality and function that is nevertheless completely badass. They’re also so far away from “basic catsuit” type stuff that it all feels so damn new and fresh!I mean…Look at that freaking Zatanna! I’ve never seen anything like that!
AND, you’ll be able to buy the original line art for some of these as she releases rewards this week for her AWESOME KICKSTARTER…although you guys are going to have to fight me for that Catwoman.
These are so amazing guys!
Meredith is beyond talented.
If you haven’t already you should go support her Kickstarter.
klaamka #10
via klaamka.deviantart.com
Brendan Monroe
Melting Into the Floor
May 18, 2013 - June 15, 2013
Opening reception / Saturday May 18, 2013 / 5 - 7pmRICHARD HELLER GALLERY, Santa Monica is pleased to present, Melting Into The Floor, a solo exhibition of new works by Oakland based artist, Brendan Monroe. The show will consist of a body of paintings on paper and a number of sculptures in wood.
This new body of work slips just beyond the border of reality. The figurative paintings and sculptures have fallen through the folds of reason, have been flattened out, liquified and parceled into various shapes. The title, Melting Into the Floor connotes a feeling of dissolving and morphing into an abstract state. As liquid can change into a gas or solid, the artist is interested in the crossing point at which fundamental alteration sets course. It is Brendan’s goal to somehow catch these figures shortly after the moment when they’ve burst into ribbons and blobs. Monroe imagines these images at frozen points of motion with an implied short narrative that refers to the before and after.
Monroe received his Bachelor of Fine Arts from Art Center College of Design in 2004. He has had solo exhibitions with Faye Fleming and Partner in Geneva, Switzerland, Galerie L.J. in Paris, France and Cooper Cole in Toronto, Canada. His work has recently appeared in the New York Times and New Yorker magazine.
RICHARD HELLER GALLERY
2525 Michigan Avenue B-5A, Santa Monica, CA 90404 USA
hellergallery@verizon.net / 310 453 9191 /
www.richardhellergallery.com
Mineral Dragons by Pythosblaze
These are awesome and my love for dragons is pretty big, as it is for Mineralogy! ^_^ Hope you guys don’t mind this
“‘Erek Dith was…’” Mina raised her eyebrow, placing her hands on her lap. “Za? Are you listening?”
The girl tried her hardest not to fidget, but her restlessness could not be contained. “Yes, Ma. I’m listening.”
“Alright, then - what did I just say, Tereza?”
“You said…” Tereza squinted at her mother, her brow wrinkled. “You said… ‘Erek Dith was…’ well, he was something, wasn’t he?”
Another serial for Pens&Peril. Do you like magic?
your mother slept under rust
to keep you safe
and slept upon rust
to keep you safer
you don’t tell anyone about that.
the laws of physics
are often out of the control of unstoppable forces
and the policies of sociology
are often out of the control of immovable proletariat
you don’t tell anyone about that.
some things are granted
some things are taken
some things granted are taken
some things, granted,
are granted
some things are taken for granted
you don’t tell anyone about that.
some times you can’t find the fuse
in time
so you blow up in a kind of secret
you don’t tell anyone about that
(they’ll figure that last part out,
you think,
but you’d think we’d figure out the first few things
in their order
like we’re supposed to).
I just got through one episode, my first, of Leverage. Before that, I have been marathonning through the first few series of the BBC hit heist show Hustle, getting myself reacquainted with one of my guilty pleasures some years back when it showed on local television.
Both of them are practically the same idea: take a group of people trained in dishonesty, and convince them that there is benefit in using those skills for the sake of honesty. I like that idea, and I’m sure a lot of other people do as well.
— John Green, Paper Towns (via quota-tions)