1. The Daily Routines of Famous Creative People
  2. incidentalcomics:

    Creative Thinking

    Reblogged from: incidentalcomics
  3. owlturdcomix:

    We go forward.


    twitter | facebook

    Reblogged from: owlturdcomix
  4. Despite what you may believe, you can disappoint people and still be good enough. You can make mistakes and still be capable and talented. You can let people down and still be worthwhile and deserving of love. Everyone has disappointed someone they care about. Everyone messes up, lets people down, and makes mistakes. Not because we’re inadequate or fundamentally inept, but because we’re imperfect and fundamentally human. Expecting anything different is setting yourself up for failure.
    Daniell Koepke (via sexual-feelings)
    Reblogged from: sexual-feelings
  5. Reblogged from: maureentheintern
  6. [Cornell psychologist James Cutting’s] experiment offers a clue as to how canons are formed. He points out that the most reproduced works of impressionism today tend to have been bought by five or six wealthy and influential collectors in the late 19th century. The preferences of these men bestowed prestige on certain works, which made the works more likely to be hung in galleries and printed in anthologies. The kudos cascaded down the years, gaining momentum from mere exposure as it did so. The more people were exposed to, say, “Bal du Moulin de la Galette”, the more they liked it, and the more they liked it, the more it appeared in books, on posters and in big exhibitions. Meanwhile, academics and critics created sophisticated justifications for its pre-eminence… As contemporary artists like Warhol and Damien Hirst have grasped, critical acclaim is deeply entwined with publicity. “Scholars”, Cutting argues, “are no different from the public in the effects of mere exposure.”

    Basically, the art canon is little more than a feat of tastemaking – fascinating essay by Ian Leslie, author of Curious: The Desire to Know and Why Your Future Depends on It. Leslie concludes with an important reminder:

    The social scientists are right to say that we should be a little sceptical of greatness, and that we should always look in the next room. Great art and mediocrity can get confused, even by experts. But that’s why we need to see, and read, as much as we can. The more we’re exposed to the good and the bad, the better we are at telling the difference. The eclecticists have it.

    Perhaps Frank Lloyd Wright was right when he wryly observed, Taste is a matter of ignorance. If you know what you are tasting, you don’t have to taste.

    (via explore-blog)

    Reblogged from: explore-blog
  7. elucipher:

    no really would you all please finish writing these novels you’ve got strewn about i want to read them and get drowned in them and write ecstatically about new myths and paradigm shifts and the warping of the language into beautiful and strange and unsettling forms and the errosion of old exhausted malignant narratives which are exclusionary and reactionary and impotent in favour of new subversive stories which are humble and earth-shattering or colossal and earth-shattering and which have absolutely no respect or reverence for the orthodoxies and rules that came before, not one fucking bit, like ferocious graffiti on a corporate wall

    that novel you’re writing it’s yours and only you can write it so god get on with it

    Reblogged from: maureentheintern
  8. Reblogged from: browngyul
  9. We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they are not, it doesn’t matter. We know we are beautiful. And ugly too. If colored people are pleased we are glad. If they are not, their displeasure doesn’t matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.
    Langston Hughes, The Negro Artist and the Racial Mountain (via ethiopienne)
    Reblogged from: arrivalattempts
  10. Make Something Worthwhile

    So the above - a basic, quickly-scribbled comic script - was on my mind a few hours ago, and I scribbled it out in part because I wanted touyarambles to see it. Not because it’d be great work or anything (although I think it would be, I dare say). But because it’s something that has been on my mind, and I think I’ve ideally captured one of the things I think he’d say. 

    Thoughts about this, in brief: 

    1. Once upon a time, if I can share this, Touya and I toyed with the idea of a webcomic. It didn’t work out how he wanted, and as a result never came to fruition, and that was totally my fault. In part, in hindsight, that was because I didn’t know where to start. I had this screwed-up notion in my head that if I just started with a good punchline in the first strip, eventually it would just organically cascade into a well-developed story. Which is not how I write anything else, so why the hell did I make that mistake here? 
    2. So I tried figuring out what it would have had to be about, long after we had already agreed that it probably was never going to happen again no matter how badly we wanted it. And I wanted all the characters we imagined to have some central theme of some sort, some general interpersonal conflict that represented itself in different ways for each of them, that they wrestled with both solo and as a team, and that their attempts brought them closer together and closer to an answer, even if they hadn’t exactly solved all of their problems. 
    3. Randomly, that notion came to mind today: 
      adulthood. Responsibility. Identity. Purpose. Desire. Drive. Combating the fear of failure, staving off debilitating self-doubt, loving oneself wholly and unashamedly. Because adulthood is hard. If we could all just curl up in bed for months without consequence, we probably would. Sometimes we hate the work we make for ourselves, and sometimes we hate the others we make work for. Sometimes we just want to be kids again. Sometimes we don’t know what to do about something people just expect you to be able to figure out once you’re over eighteen. Sometimes you find yourself in a mess you wouldn’t have even imagined in high school. And worst of all, you eventually kind of realize that all you want is the same no matter what age you are - to be appreciated. And you feel like that’s hard work to pull off. There are no ‘do you like me? y/n’ checkboxes for adulthood. 

    I like that, I think. Trying to talk about the kinds of fears we have about the responsibilities of adulthood. 

    Not like that’s something we can tinker with now. I don’t think we have the time. I wish we did. We have other, just as awesome things in store, though - things I have no intention of screwing up. 

    But I guess I’m really sharing this with Touya for two reasons: 

    1. hey Touya I’m sorry I fucked up and I know I’ve probably killed this idea dead but I think I finally figured out what I wanted to do with it; and 
    2. hey. Touya. This thing here - about making something worthwhile, about being proud of what I make, about sharing it with people I love - is something I learned in part from you. And I value that lesson a lot. Thanks. 
  11. kushandwizdom:

Good Vibes HERE
    Reblogged from: kushandwizdom
  12. Reblogged from: devinaellora
  13. onlinecounsellingcollege:

    1. If it feels wrong, don’t do it.

    2. Say “exactly” what you mean.

    3. Don’t be a people pleaser.

    4. Trust your instincts.

    5. Never speak badly about yourself.

    6. Never give up on your dreams.

    7. Don’t be afraid to say “no”.

    8.  Don’t be afraid to say “yes”.

    9. Resist the need to always have control.

    10. Stay away from drama and negativity – as much as possible.

    Source: Lessons Learned in Life

    Reblogged from: browngyul


Paper theme built by Thomas